We’ve included both zoom and prime lenses, and instead of picking only the most expensive pro-level options, we’ve taken value into consideration as well. In terms of the final decision, professionals and low-light specialists will gravitate to the f/1.4, but for the price, we can't help but love the f/1.8.See the Nikon 50mm f/1.8G. This wide-angle lens is a must-have for any photographer that is keen on shooting landscapes and architecture. Many lenses have tiny motors that help stabilize the image when shooting by hand, and depending on the situation, this can buy you a stop or two of performance. You can get stunning photographs with almost any lens but a faster model definitely helps in low light, when shooting without a tripod, and with bokeh. 50mm f/1.8D(about $120) Kit lenses offer a fairly wide range and allow amateur photographers to get comfortable with their cameras. It’s interesting to note that Nikon hasn’t updated their 14-24mm f/2.8G in over a decade, which makes it harder to compete with newer and improved lenses from other brands. The result is a compromised image that is a disservice to your expensive FX camera. If you have a high quality DX lens that you can’t live without, you can get DX-like image quality from your FX camera. For just about any type of photography or camera, a quality 50mm lens makes a whole lot of sense. Sigma’s newly developed Hyper Sonic engine also allows the lens to focus 1.3 times faster than its older version. The short answer is yes: most DX lenses technically are compatible on FX cameras. But if you want a quality telephoto zoom for Nikon FX without breaking the bank, this is a nice option. The maximum aperture of f/3.5-5.6 is rather pedestrian and you won’t get the same sharpness or bokeh as many of the lenses above. Most significant is the limited focal length: you can’t go as wide as a 14-24mm or 16-35mm, and while 20mm can be fun to experiment with for travel and street photos, it’s best for landscapes. For about $120, the 50mm f/1.8D is among Nikon's sharpest and fastest focusing lenses, as well as their least expensive and lightest. Category: Travel/portraitWeight: 31.8 oz.What we like: Cheaper and arguably a bit sharper at the center than the f/2.8E.What we don’t: No vibration reduction. On this list, two of our top FX-format picks are made by Sigma. For these reasons, we don’t love this lens on some of Nikon’s higher resolution cameras like the Nikon D850 or D810, but it’s a viable budget option for cameras like the D750. Due to these features, this is a handy lens to keep with you since you’ll be able to use it in most weather conditions. See the Nikon 14-24mm f/2.8G. The Nikkor 70-300mm f/4.5-5.6G IF-ED produces images with great contrast and resolution thanks to the Extra-Low Dispersion (ED) glass elements in it. 6. Use this list to help you decide on your next budget lens! Two common complaints with third-party lenses relate to slower, less accurate autofocus and more plastic in the build compared to native lenses. Portrait and event professionals that depend on the 35mm to 100mm focal length range have the strongest selection of primes. Perfect for your introduction to zoom lenses! A 50mm f/1.8 lens is often recommended as the second lens purchase a photographer should make once the urge sets in to… It also contains Super Multi-Layer Compensation (SML) that prevents reflections in your pictures and provides razor-sharp images with brilliant contrast. Based on the popularity of all-in-one models for Nikon’s DX-format cameras, the 28-300mm VR was built specifically for FX and is one of the only such lenses for full frame. It’s the perfect stepping stone to using a professional lens. With the Sigma, you get the same focal length and comparable sharpness as the Nikon for a significant $700 less. More, editing software like Photoshop and Lightroom can correct distortion and the process is relatively quick and painless. The Nikon D750 leads the pack of affordable full-frame DSLRs in 2015, offering professional-grade image quality at a sub-$2,000 price point. What are the shortcomings of the Nikon 50mm f/1.8? For the right photographers, manual focus lenses can be viable and fun options. We use affiliate links and may receive a small commission on purchases. The current F Mount 28mm f/2.8 from Nikon is still a great choice as a go to wide angle lens for users of full frame Nikon DSLRs. All things considered, we aren’t huge proponents of all-in-one lenses, and particularly for full-frame cameras. 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