Other ribbon microphones are not as tolerant on phantom power, for that the Royer design is great. Fletcher is the first I've heard to say otherwise, or maybe he was just refering to the Royer 121. I sent accidently +48V on a Venueboard to a royer last weekend (livemixing).. nothing happend.. The mono SF-2 has found its home in the classical arena where it gives extremely natural reproduction of strings, woodwinds and the like. with a permanently polarized 16-mm (0.63")diaphragm element and a preamp that requires 48V phantom power. R-121 Studio Ribbon Microphone Released in 1998, the award-winning R-121 is our flagship … With our TEC Award winning Live Series ribbon microphones, you get greater durability from the ribbon element, allowing you to put ribbons anywhere on stage with complete confidence. I am thinking about buying a 121 to track guitars, horns, ect.. with. Or are they as robust as I have heard from some engineers, who claim that they are the only ribbons that can take a beating on a day to day basis? When a mic line is crossed-patched at the patch bay, there is a temporary short that occurs as the jack is being inserted. So which is it??? Page 1 ROYER Labs Model R-121 Ribbon Velocity Microphone Operation Instructions Manual & User Guide Made in U.S.A ... Do not patch an R-121 through the mic tie lines of a patch bay if phantom power is enabled on any of your mic pre’s, as this will give the ribbon element a brief but damaging phantom power jolt. I am thinking about buying a 121 to track guitars, horns, ect.. with. It delivers all of the warm, natural tone of our R-121, but with 13 dB more output, a switchable -15 dB pad, a switchable bass cut, and impedance matching circuitry that makes it compatible with virtually any mic preamplifier. The Royer R121 has all of these qualities in abundance, but also brings something new. The SF-24V ribbon microphone is the pinnacle of our stereo ribbon microphone designs. On the other hand the manufactures claim that phantom power hitting a 121 is a big problem. Designed primarily for classical applications and acoustic instruments, the SF-2 combines high-quality audio performance with our exclusive active electronics for ribbon microphones. More. 5. An assistant used a miswired 5 pin cable from a Russian tube mic on a friend's SF-12. On the other hand the manufactures claim that phantom power hitting a 121 is a big problem. Recording on the back of the R-series microphone. Royer PS-101, WS58 or equivalent, is highly recommended for close-miking vocalists or certain types of percussion and wind instruments. The Royer R-122 MKII's proprietary offset ribbon transducer (Patent # 6,434,252) positions the ribbon element closer to the front (logo) side of the microphone. the Royer 121 ribbon mic will tolerate phantom power. The SF-2 ribbon microphone is a phantom powered version of our original SF-1 ribbon microphone. What would the consequences of accidentally hitting a 121 ribbon mic with 48V? The SF-24 ribbon microphone has all of the outstanding stereophonic capability and sonic performance of our award winning SF-12 stereo ribbon microphone, with the addition of condenser-level output and impedance matching circuitry. For best and safety reasons, turn on your preamp first - ensure that the phantom power is of - then plug the Royer 121 ribbon microphone. In addition, the ribbon element can't be damaged by phantom power, miswired cables or electrical glitches. Hey there! The ribbon got fried when it was plugged into a desk that had the phantom on always. The SF-2's output of -38 dB puts its sensitivity on par with that of phantom powered condenser microphones, allowing it to be used with a wide variety of mic pre's regardless of gain characteristics. The R-122 MKII Live's output is on par with phantom powered condenser mics, allowing long cable runs with minimal signal loss or RF pickup, and it produces the warm, natural sounds that only ribbon mics can deliver. My experience with ribbon microphones at the BBC confirmed the relative fragility of the marque: drop the lid on the storage box or expose them to rapid movements of air (people blowing on them, for example) and there was every chance that the ribbon would tear. It’s a great sounding ribbon mic at a price that makes it ideal for live stages and project studios. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources. For orchestra, acoustic instruments and all critical stereo applications, the SF-24V is perfection. Royer’s R-series ribbon mics are known around the world for their warm, natural sound, exceptional midrange response and extreme toughness. The Royer Labs R- 121 mic is a weird looking device in my opinion but that doesn’t mean the sound isn’t good. The R-122 Live is a road-optimized version of our phantom powered R-122 MKII ribbon microphone. The R-122 MKII ribbon microphone continues in the lineage of our original R-122, the world's first phantom-powered active ribbon™ microphone. Ultimately, if your wiring is 100% then everything should be fine. However I am wondering how sensitive these Mics are to 48volts? Phantom power is actually required for operation on our active R-122 and SF-24 microphones. TT) patchbays. Designed to work with phantom power, the SF-24 makes preamplifier mismatches and gain-related noise a thing of the past. In 1998 we introduced the R-121, the modern ribbon mic that reintroduced ribbon microphones to engineers worldwide and put ribbons on the map. Royer Labs is dedicated to the art of the ribbon microphone. I've heard some people say you can hit them with phantom and it's no big deal. It's also tough as nails, lightweight, can handle high SPL's and live stage use, and comes with a lifetime warranty. Phantom power is actually required for operation on our active R-122 and SF-24 microphones. ***************/msg/95051002.html, Pictures Of Mic'ed Up Drum Kits In The Studio. Under normal working conditions, phantom power will not damage a Royer ribbon. Royer’s SF-series ribbon microphones combine a warm, natural sound pickup with exceptional detail, nuance and dead-flat frequency response. The 121 seems to be a lot more robust than those old ribbons, and by all acounts that I've heard, the older ribbons do get fried with phantom power. As I understand it, the main danger to ribbon mics as far as phantom power is concerned comes from "hot patching" your mic into your preamp via TRS (e.g. With its flat frequency response and outstanding stereo separation and imaging, the SF-12 delivers you-are-there recordings like you've never heard before. The unique electronics and custom designed FET's used in the SF-2 deliver ultra-quiet operation, with self-noise of lower than 18 dB. The two exceptions are miswired cables and “live cross patching” on a patch bay. However, we still recommend that you deactivate phantom power when Royer microphones are being connected or disconnected simply because other abnormal conditions may exist that could cause problems. The Royer R-10 is a passive mono ribbon microphone designed for use in the studio and on live stages. I've heard some people say you can hit them with phantom and it's no big deal. 6. The studio R-121 is tough and has been used on live performances for years, but the increased durability of the R-121 Live gives FOH engineers greater confidence in the ribbon standing up to life on the road. The Royer Labs R- 121 mic is a weird looking device in my opinion but that doesn’t mean the sound isn’t good. With the inclusion of vacuum tube circuitry derived from our TEC Award winning R-122V, the SF-24V provides unmatched clarity, detail, midrange reach, and an airiness previously unknown to ribbon microphones. Hand-built in our Burbank California factory, the R-10’s sound, and performance are all-Royer and it handles SPLs of up to 160 dB @ 1 kHz.